To Be STEFANO DONNO: Don DeLillo … the key of Avant pop!

The "sum panic" of the author in London in January 98, where a large famous headcount was packed in the TUC Headquarters and the evening became dizzying because of the confused feeling of being present in one of the author's fictional scenarios. When Parrish, for example, joins DeLillo with J Edgar Hoover or Nel, argues that "the desire of Klara for a Cold World Order seems to be more resolute in the complicated structure of the book ", each of which is the words and actions of the characters, as if each one. According to Philip Nel, "In his rich language and attentive structure, Underworld is the most" high - modernist "novel to this day, but he also uses advanced techniques In a more subtle way than his earlier works. For Paul Malty ( in "Don DeLillo's Romantic Metaphysics" ) "to" postmodernize ", it is likely that DeLillo will lose sight of The ( highly unpostmodern ) metaphysical impulse that his work is alive. Delillo, who finds the fears of the heart, the hidden poetry of small life, ties his characters with their greatest cultural moment. Delillo focuses on three specific cultural pressures : the intoxicating melodrama of the Cold War, the murder of John Kennedy in 1963, and the overwhelming pressure of electronic media. Here, as DeLillo sees, a culture has begun its addiction to show violence, the itching for more graphic sequences, which inevitably defy the ability to react with the right sensitivity to the sudden and curious notions of the sacramental dimension of life and the private privilege of death. Hassan then in his next section offers a definition of postmodernism, based on the premise that we live or die soon in the realm of "unimaginable ", where quotidien reality is alien to fiction. Millard considers it to be a realist novel, without the text interruptions or autopublications or parody of previous texts, pastiches or inclusion of Pop, etc. In "Tales of the Electronic Tribe" Frank Lettricchia evokes more of the three - dimensional mantra and explains their presence in the text. How far down and in media culture has come, is illustrated by the most striking moment of the novel - an attempt to represent the inattention of the unconscious - the variations on which it is played. Because it is Jack's complete failure to realize the magnitude of Babette's fear of death, which leads to the surprising peripeteia and anagnorisis ( reversal and recognition ) in Chapter 26, which in turn leads to the black comedy of a failed murder at the end. And in terms of plot, the scene is another prolection or anticipation of Jack's discovery that Babette was not the reassuring maternal figure he could go to, losing all his fears and anxieties by simply burying his face in his broad chest. Delillo's understanding of the world is largely due to his observations of contemporary Western life. A triviality is alive in DeLillo's fiction, whether it was about the dissolution of the atomic family or the disappearance of old cultural peculiarities : "Before pop art, there was such a bad taste.

Delillo's writing creates a rare glow of delight, such as the "underground passage ", in which a character reflects a word appearing on his computer screen - a word that resonates with today's war base. Delillo's writing creates a rare glow of delight, such as the "underground passage ", in which a character reflects a word appearing on his computer screen - a word that resonates with today's war base. Edgar Hoover therefore imagines the nuclear arms race as a conflict between "Us and Them ", although there is also a deep, almost erotic connection between the two of you, who are deeply finished ( U. 51 ). Re - imagining the history of art as a history of waste treatment, the self - destructive commentary shows how the American industry creates its own ideology with the goods and weapons it produces. In addition to The fact that graffiti can only be seen, graffiti also attracts public attention to The ghetto urban communities that America doesn't want to recognize : "The whole point of Moonman's label was how letters and numbers told The story of The" background of life "( U. 434 ). From attacks on American money markets to bioterrorism at the heart, DeLillo's work has long predicted a world in which terrorist acts would have unprecedented historical consequences. In the light of september 11th, Don DeLillo's America can help many readers to feel like a new, uncertain world.

Cited Sources

https://www.amazon.com/Americana-Contemporary-American-fiction-DeLillo/dp/0140119485