Tre nuvole e montagne: poesie vietnamite di LE THANH BINH (I Quaderni del Bardo Edizioni di Stefano Donno)

 

Poesia vietnamita contemporanea • iQdB Edizioni

Tre nuvole e montagne:
la poesia vietnamita che parla al presente

Se ami la poesia capace di unire paesaggi, memoria e vita quotidiana, questa raccolta vietnamita è la porta d’ingresso ideale verso una voce nuova e sorprendentemente vicina alla nostra sensibilità.

Una selezione di testi di Le Thanh Binh, pubblicata da I Quaderni del Bardo Edizioni di Stefano Donno, per avvicinare lettori e lettrici italiane alla poesia asiatica contemporanea.

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Verrai reindirizzato all’articolo completo su iQdB Casa Editrice, dove potrai approfondire il libro e scoprire come acquistarlo.

Sguardo d’autore

Nuvole, montagne, vita quotidiana

Un paesaggio astratto che richiama nuvole, montagne e strati di memoria: l’orizzonte ideale per entrare nell’immaginario poetico vietnamita.

Perché questa raccolta parla ai lettori di oggi

La poesia vietnamita è ancora poco esplorata nel panorama italiano, ma porta con sé una combinazione rara: attenzione al dettaglio, profondità storica e un’intensità emotiva che dialoga con le nostre vite frenetiche.

In Tre nuvole e montagne la voce di Le Thanh Binh attraversa paesaggi reali e interiori: nuvole, montagne, fiumi, città e ricordi diventano immagini vive che raccontano una quotidianità insieme distante e familiare.

Il progetto editoriale di iQdB Edizioni nasce proprio con l’obiettivo di aprire finestre su letterature poco battute, offrendo ai lettori italiani una selezione di testi curata, introdotta e contestualizzata con grande attenzione critica.

Vuoi leggere la presentazione completa e scoprire i dettagli del volume? CLICCA QUI E COLLEGATI SUBITO all’articolo ufficiale.

A chi è rivolto questo libro

Se ami la poesia contemporanea, se ti incuriosiscono le culture asiatiche e se cerchi voci capaci di raccontare il rapporto tra individuo, storia e paesaggio, questa raccolta è pensata per te.

È ideale per chi desidera ampliare la propria biblioteca di poesia con un titolo che non è l’ennesimo volume già visto, ma un tassello nuovo, in grado di dialogare con i grandi temi del nostro tempo: memoria, trasformazione, radici e cambiamento.

È anche una proposta perfetta per insegnanti, operatori culturali, circoli di lettura e festival che vogliono proporre percorsi dedicati alla poesia internazionale, con un focus specifico sulla scena vietnamita moderna.

Approfondisci ora la scheda del libro, i contenuti e le informazioni su come reperirlo: CLICCA QUI E COLLEGATI SUBITO alla pagina su iQdB Casa Editrice.

Perché collegarti ORA a questa pagina

• Valore emotivo: è un’occasione concreta per scoprire una nuova voce poetica e arricchire la tua esperienza di lettura con testi che uniscono paesaggio, storia e interiorità.
• Opportunità: il progetto editoriale di I Quaderni del Bardo Edizioni porta in Italia una selezione mirata di poesia vietnamita contemporanea, ancora rara nel nostro mercato librario.
• Urgenza: collegandoti subito alla pagina dedicata, puoi salvare il riferimento, condividere il link con chi ama la poesia e valutare fin da ora come integrare questo titolo nella tua biblioteca personale o professionale.

Se senti che è il momento giusto per scoprire una nuova geografia poetica, non rimandare a “più tardi”.

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Six hundred years after the first song ... for Baxinger (銀河烈風バクシンガー Ginga Reppū Bakushingā) by Stefano Donno

 Six hundred years after the first song,

Jupiter is a rumor of dust—

a broken vinyl spinning in the dark,

its grooves now scattered into minor worlds

where no one remembers the needle.

Out here the law arrives in leather.

J9-II rides the interplanetary shoulder,

five Cosmo Bikes cutting lanes

through asteroid exhaust and radio prayers.

They carry names that sound like bar smoke—

Don Condor, Billy the Shot, Layla with her half‑lit eyes,

Samanosuke, Shutekken—

a cowboy deck reshuffled as space opera,

samurai code compressed into engine noise.

Every planet is a frontier town

with a different word for failure.

Warlords write decrees in plasma,

corporations fence off oxygen,

pirates tax the distance between two moons.

The only thing that still passes for justice

comes on two wheels,

headlights blooming like sudden questions

in a tunnel that was told

there would be no more light.

Listen to the structure:

five separate riffs, no chorus,

then—

hinge,

pivot,

fold.

Frames rotate, wheels vanish into thighs of steel,

handlebars shear into tendons of an arm.

The bikes rise, lock, translate

from outlaw scatter to vertical grammar.

This is not transformation;

it is syntax.

The robot is a sentence only they can form.

Baxinger stands—

not a god, exactly,

more like a verdict

that learned to walk.

In his chest, the echo of Jupiter’s absence

beats time like a second heart.

In his visor, the reflection of a thousand minor suns

that never asked to be born from an execution.

On the ground, the crowd will only see

a giant silhouette with a sword of light,

another relic of an era that believed

bigger metal meant better answers.

But inside the cockpits

the rhythm is different:

five pulses trying to sync

without erasing the off‑beat.

Billy wants every fight to end

with a clean shot, one note held

until the enemy drops.

Layla hears harmonies in engine whine,

knows that mercy sometimes means

killing the reactor, not the pilot.

Samanosuke carries an older code,

inked in a language no longer spoken

on any map that matters.

Shutekken mistrusts silence,

fills it with tactics just to see

where fear leaves a gap.

Don Condor, conductor and outlaw both,

keeps counting measures in the dark:

when to arrive, when to vanish,

when to let them improvise.

They are not heroes.

They are what happens

when history refuses to end

and instead starts riding in circles,

kicking dust into its own archives.

Some nights, after the last skirmish,

when the Cosmo Bikes have unfolded

back into something like individuality,

Baxinger lives only as afterimage—

a phantom ache in the wrists,

a bruise shaped like a constellation

no constellation ever agreed to be.

In those hours Layla writes a log

no one will archive,

Billy oils the barrel of a gun

that has forgotten how to miss,

and above them, planets torn from Jupiter

continue their slow, reluctant orbits,

each one a question mark carved from gas.

If there is a lesson,

it is not about victory.

It is about the moment

five engines align

just long enough to say

We will not let this galaxy

be only what was done to it—

and then, as the next alarm begins to howl,

splinter again into motion

서정시학 Lyric Poetry and Poetics - LITERARY MAGAZINE: Una Finestra sulla Poesia della Corea Moderna (I Quaderni del Bardo Edizioni di Stefano Donno)

 

Literary magazine – I Quaderni del Bardo Edizioni

Lyric Poetry and Poetics – Literary Magazine from Ancient to Modern Times

A space for readers, scholars and poets interested in how lyric poetry and poetics evolve from classical criticism to contemporary theory and practice. [web:341][web:343]

If you are looking for a magazine that treats lyric poetry as a living laboratory—where ancient concepts meet modern critical approaches—Lyric Poetry and Poetics – Literary Magazine is designed exactly for you. Essays, reviews and reflections explore lyric from its classical roots and historical criticism to the debates that shape today’s understanding of poetic language, subjectivity and form. [web:338][web:339][web:341]

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Connect now to the official Blogger page for index, contributors, submission information and full editorial presentation. [web:343]

Why this magazine matters for you

Lyric Poetry and Poetics – Literary Magazine is conceived as a place where the long history of lyric criticism meets present-day questions about voice, form and the role of poetry. From ancient reflections on imitation and genre to the Romantic reshaping of the “lyric I” and the rich debates of twentieth- and twenty-first-century theory, the magazine aims to trace how lyric poetry is read, taught and reinvented today. [web:338][web:339][web:341]

It is particularly suited for readers who move between creative practice and critical thought: poets who want to engage with theory without losing the concrete texture of lines and stanzas, and scholars who wish to keep criticism close to actual poems rather than abstract models alone. The focus on lyric—from classical roots to modern experiments—offers a coherent yet open field where different traditions, languages and methodologies can be brought into conversation. [web:338][web:339]

Want to see how the magazine frames lyric poetry across centuries and schools?

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What you gain from Lyric Poetry and Poetics

Each issue can offer a combination of essays, close readings, notes on translation and reflections on poetics that situate lyric within broader historical and theoretical frameworks. The emphasis is on clarity without oversimplification, so that both advanced readers and those approaching these topics for the first time can find a productive entry point. [web:338][web:339][web:343]

Historical depth

From ancient and Renaissance discussions of lyric to Romantic and modern redefinitions, you see how ideas of what a lyric is have shifted, and why that matters for reading poems now. [web:338][web:341]

Critical variety

The magazine can draw on different critical traditions—formalist, hermeneutic, cultural, theoretical—documenting the diversity and energy of ongoing conversations about lyric poetry. [web:339][web:340]

Dialogue between theory and practice

Essays are encouraged to keep close to poems, showing how concepts of voice, subjectivity, rhythm and figuration emerge in actual texts rather than remaining purely abstract. [web:338][web:339]

This magazine may not be the ideal choice if you are looking only for quick inspirational quotes or purely introductory material with no historical or theoretical context. If you are not interested in how lyric poetry has been defined, questioned and reimagined in criticism from antiquity to the present, the focus of Lyric Poetry and Poetics might feel too specialized.

What to do next

If you recognize yourself in the community of readers, writers and researchers who want lyric poetry to be read in depth and in context, the next step is straightforward: visit the official Blogger page of Lyric Poetry and Poetics – Literary Magazine to explore the available content, discover contributors and see how to engage with the project. [web:343]

A few minutes on the page are enough to understand how this magazine can fit into your reading, teaching or research practices—whether you approach lyric as a poet, a student, a teacher, or a critic interested in how genres are formed and transformed. [web:338][web:339]

Ready to connect with a space fully dedicated to lyric poetry and poetics?

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Landing page for the literary magazine Lyric Poetry and Poetics – Literary Magazine from Ancient to Modern Times, published by I Quaderni del Bardo Edizioni. [web:343] For index, contributors, editorial notes and access details, go directly to the official page: CLICCA QUI E COLLEGATI SUBITO.

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The Stratigraphy of Wings for Acrobunch (魔境伝説アクロバンチ, Makyo densetsu Acrobunch) by Stefano Donno

 (For the House of Quasador)

To dig is to pray in reverse. We peel back the tectonic skin—Nazca, the Sphinx, the bruised silt of the Andes—seeking not gold, but the ghost-signal of a lost geometry. The father’s hand, calloused by parchment and throttle, traces the lineage of dust.

Then, the sudden architecture of the sky: Five pulses, disparate as salt and iron, locking into the Acro-Nexus. It is not a machine, but a syntax of bone and circuit, a collective breath held in a chassis of white alloy. The engine hums in a dialect of ancient gears and modern thunder.

Observe the geometry of the merge: Wing-tips slicing through the vapor-trails of history, a giant articulated by the friction of kinship. One leg rooted in the red clay of the past, the other stepping into the unmapped blue.

We are hunting the Legend—the Quasador— that shimmering limit-point where myth becomes physics. Is the treasure a crown, or is it the way the sun catches the metal shoulder of the god we built to find the gods we lost?

We fly upward, heavy with the weight of ruins, buoyant with the oxygen of the chase. The earth below is a closed book; Acrobunch is the silver bookmark keeping our place in the storm